Reader Beth had suggested that I make a blog post of the workshop on romantic chemistry that I gave at RWA National. My immediate response was a demurral. I had 11 pages of speaking notes–it couldn’t be done. But then I gave the workshop again recently to my local RWA group, and afterwards I thought, you know, the best part of any such workshop is always the examples. And I definitely can put up the examples and why I used them as a series of blog posts. So thank you Beth, and here we go.
What makes for good chemistry? Great conflict.
What makes for great conflict? As my critique partner Janine asks, what are the lies that your character tells himself to get through the day? Who is the person who by the very fact of her existence, by everything she says and does, exposes your character’s lies to himself as just that, lies?
In other words, who is this person who would cause the greatest amount of emotional disturbance in your character? Who is the person your character most fears for the truth she represent, and yet who cannot be dismissed, precisely because of the truth she represents?
Put these two people together and you have tension, conflict, and chemistry.
Example:
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